A sensational player, as technically mellifluous as he is interpretively beguiling
THE STRAD, London
Absolutely immaculate and masterful
Süddeutsche Zeitung, MUNICH
technical wizardry, melting musicality, old-world style and panache - woven seamlessly together into an utterly perfect evening
Carnegie Hall, NY Concert Review
maximum risk-taking and phenomenal control...absolutly dazzling from start to finish
Diapason France
Animated light-footedness, wittily and with delicate brilliance
Süddeutsche Zeitung
Recitals of a high quality are few and far between. Daniel Röhn's excels in every sense. His album is absolutely dazzling from start to finish. With a skilful choice of repertoire, sparking virtuosity and amazing, dramatic, temperament, he revives the tradition of his greatest forefathers. His incisive sonority often recalls that of Heifetz, his irreproachable delivery evokes that of Szeryng
Diapason, France
The audience was enraptured by the unbelievably pure sounds that emanated from his violin: the entrancing allegro, the sublime Mozartian adagio and the lively finale. An astounding performance of a Bach fugue, played as an encore, showed another facet of his immense talent.
Nice Matin, NICE
above all, he impressed with his vigorous, bright tone and impeccable technique
Frankfurter Allgemeine Zeitung, FRANKFURT
A rich tone, flawless technique and intonation, captivating musicianship and an extremely engaging stage presence
Thurgauer Zeitung, SCHAFFHAUSEN/SWITZERLAND
Like Heifetz and Stern before him, Röhn is so mesmerisingly in control that above all one is left marvelling at what a fabulous score Carmen really is when it's played like this
The Strad, LONDON
A REMARKABLE EXAMPLE OF REFINED LYRICISM, DEPTH AND SENSITIVITY
LE MONDE DE LA MUSIQUE – FRANCE
...Röhn displayed a fine, silvery-woven beauty of tone – a stunning, singing legato
Badisches Tagesblatt, BADEN-BADEN
I heard Daniel Röhn.......I shall tell my grandchildren. They will envy me
Falukuriren, FALUN/SWEDEN
Dispatched with a non-chalance to take the breath away
The STRAD
And while no one (not even Perlman) quite matches Heifetz’s high-tension pyrotechnics in the Presto, Röhn’s warmth, richness of tone and emotive shifts make as powerful a case for the Adagio and finale as you’re likely to hear.
GRAMOPHON MAGAZINE
Daniel Röhn demonstrates maximum risk-taking and phenomenal control. His rich tone, powerful bowing and a true sense of theatre all come together for the grand finale of this firework display: Paganini's Nel cor più non mi sento and Waxman's Carmen Fantasy. Fascinating and...memorable.
DIAPASON, France >
Then it doesn't matter that world-violinist Lisa Batiashvili is replaced on short notice by Daniel Röhn. He plays in the same league and delivers Prokofiev's Violin Concerto No.2 with solid technique and tonal luster.
SYDSVENSKAN, Sweden>